Jun 13,  · 5 Mistakes To Avoid When Mixing Vocals. Joe Albano on Jun 13, in so this is a pretty obvious suggestion—when it comes to the level of the vocal(s) against the rest of the mix, they shouldn’t be too loud or too soft—they should be set at the level that’s “just right”. a more full-featured Expander, set for a less drastic.

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Dec 11,  · File under “Geekiest Observation Ever”: when comping vocals, in which I keep (though may adjust the volume of) the breaths, I’ve found it seems more natural to treat the breath as being a reaction to the line that’s just been sung, as opposed to an anticipation of the line that’s about to be sung: or, in otherwords, if I have a phrase in Take 1, the a breath, then a phrase from Take.

Apr 19,  · But you only want one breath e vocal, if your double tracking, layering BV's all that combined breath can get really annoying. The most efficient method is to keep the Breath and Not keep the breath, mad eh.. but here is how. Use the SPLIT tool in you fav DAW: [SPLIT] {BREATH} [SPLIT] {VOCAL} Then MUTE the {BREATH}.

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Tags. air + alien + ambiance + Breath - mp3 version Breath - ogg version Breath - waveform Breath - spectrogram Breath. Currently /5 Stars. A gasp and scared breath. breathing; We use cookies to ensure you get the best experience on our website. .

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